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35,2x20,3 cm, keine weiteren Angaben vorhanden
Rot bedruckte Papiertüte mit schwarzen Tragegriffen
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Das Metropolitan Museum of Art präsentiert mehr als 5.000 Jahre Kunst aus der ganzen Welt, die jeder erleben und genießen kann. Das Museum ist in zwei ikonischen Gebäuden in New York City untergebracht - The Met Fifth Avenue und The Met Cloisters. Millionen von Menschen nehmen auch online an der Erfahrung des Met teil.
Seit seiner Gründung im Jahr 1870 hat das Met immer den Anspruch gehabt, mehr zu sein als eine Schatzkammer mit seltenen und schönen Objekten. Jeden Tag wird die Kunst in den Galerien des Museums und durch seine Ausstellungen und Veranstaltungen lebendig und offenbart neue Ideen und unerwartete Verbindungen über Zeit und Kulturen hinweg.
Text von der Webseite, übersetzt mithilfe von DeepL.
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[48] S., 29,7x21 cm, Auflage: 1.250, ISBN/ISSN 978-2-914291170
Softcover, Fadengeheftet
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Arbeiten nach Wittgensteins Tractatus 2.0131.
Dans ce projet datant de 1968, herman de vries se réfère au Tractatus logico-philosophicus de Wittgenstein, et c'est la façon dont il le fait - surprenante et amusante - qui fonde l'idée de ce livre.
argumentstellen confronte l'expression quelque peu énigmatique du Tractatus au sens tangible des références que le discours wittgensteinien met en scène, à l'imaginaire qu'il mobilise. C'est ce travail du concret et du tangible, aussi " minimaliste " soit-il, qui met le lecteur sur la voie de la recherche du sens de l'énigme. " Avant de philosopher, il faut vivre ", dit Henri Bergson.
Dans la simplicité stupéfiante de son approche, le livre de de vries propose une piste nouvelle et originale pour relire Wittgenstein, et peut-être aussi pour confronter l'art à la pensée philosophique en général.
Ainsi, les 48 pages de ce livre affichent chacune un seul point, distribué dans l'espace vide de la page, preuve que "l'objet spatial doit se trouver dans un espace infini, le point spatial est une place pour un argument."
Text von der Webseite
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[12-16] S., 20,6x13,5 cm, Auflage: 100, signiert, 12 Teile. keine weiteren Angaben vorhanden
11 Hefte, Schwarz-Weiß-Laserkopien, Drahtheftung, Aufkleber
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About the series:
The For Everard zine series chronicles the 1977 fire at New York's Everard Baths, combining archival research with imagined narratives to re-focus attention to obscured histories. The series explores the media coverage of the subsequent investigation of the fire, and the lives of the nine men who perished. The zines bring together photographic images with primary news sources, as well as personal anecdotes collected from eyewitness testimonials.
About the individual zines:
For Everard, Vol. 1, 2013, ed. 100 (nr. 65)
This zine chronicles the May 25, 1977 fire at New York's Everard Baths and the media coverage of the subsequent investigation.
For Everard, Vol. 2 (Bloodbrothers), 2013, ed. 100 (Nr. 81)
In the second volume of his series chronicling the 1977 fire at New York’s Everard Baths, Anthony Malone focuses on Bellevue Hospital’s blood drive for the victims of the great bathhouse tragedy. Malone draws parallels between the 1977 restrictions placed on gay men for donating blood to their “brothers” and current FDA guidelines that indefinitely defer donations from men who have had sex with men since 1977. This black and white photocopied zine (ed 100) juxtaposes archival images, news clippings, and just a touch of fantasy.
For Everard, Vol. 3 (Remembering Jimmy), 2015, ed. 100 (Nr. 94)
Volume 3 of the series, For Everard is dedicated to the memory of Jimmy Stuard, who died in the tragic fire at the Everard Baths in 1977. Stuard was a rising star in the disco music scene. He spun records first at Boston’s 1270 Club, and later at New York’s 12 West, where he inspired an entire generation of musical artists and DJs. In this particular volume, Anthony Malone assembles images and archival texts that serve as a tribute to the great Jimmy Stuard.
For Everard, Vol. 4 (A Lovely Show), 2016, ed. 100 (Nr. 62)
For Everard, Vol. 4 (A Lovely Show) is a tribute to Kenneth Hill, one of the nine men who died in the devastating fire at the Everard Baths in 1977. Kenn played a vital role in the East Village/Lower East side countercultural movement in the late ‘60s and 1970s. He was a hippie, a bar tender at Phebe’s (a watering hole and salon for the experimental theater community in the 1970s), one of the founders of the Old Reliable Theatre Tavern, House Manager at La Mama Experimental Theatre Club, and a photographer. This zine celebrates Kenneth Hill by collaging archival documents with personal artifacts and pictures of Kenn from meaningful moments in his life.
For Everard, Vol. 5 (A Dearly Loved Man), 2017, ed. 100 (Nr. 95)
For Everard, Vol. 5 (A Dearly Loved Man) assembles images and stories from the life of Ira Landau, a gifted and dedicated teacher who died in the tragic fire at the Everard Baths in 1977. Ira left behind a devoted family (his mother, brother, niece, and lover) and is still greatly missed by his loved ones. This zine is a tribute to the life and accomplishments of a remarkable man who served in the Peace Corps and committed himself to educating young minds both abroad (in the Middle East) and at home in the US. It contains family photos and personal images generously contributed by Ira’s niece.
For Everard, Vol. 6 (Yosef’s Song), 2017, ed. 100 (Nr. 94)
Volume 6 of the series For Everard celebrates the life of a remarkable musical prodigy, Yosef Synovec. This zine tells the story of a young man with great aspirations who emigrated to the United States from Czechoslovakia to study classical violin. In 1976, Holly Woodlawn overheard Synovec vocalizing as he was painting the bathroom of his East Village apartment, and determined on the spot that she had discovered an emerging star. As a singer, Synovec used his extreme vocal range to imitate the voice and persona of Peruvian diva Yma Sumac. He performed Sumac’s exotic musical numbers at several New York City cabarets and show venues. Sadly, on May 25, 1977, Yosef perished in the tragic fire at the Everard Baths.
For Everard, Vol. 7 (Tony from the Bronx), 2017, ed. 100 (Nr. 86)
This zine brings together images and stories from the life of Tony Calarco, one of the nine men who died in the fire at the Everard Baths in 1977. Tony was only 26 when he died. He lived with his parents and siblings in a modest house in the Bronx. He had recently graduated from college and was working as a social worker in New York city at the time of his death. Tony had aspirations to become a lawyer and was scheduled to begin law school in September of 1977. This zine celebrates Tony Calarco’s memory through photos of Tony, artifacts from his high school and college years, and recent photographs of his home and final resting place.
For Everard, Vol. 8 (Looking for Amado), 2017, ed. 100 (Nr.84)
Amado Alamo, a young man only 17 years old, lost his life in the fire at the Everard Baths in 1977. In Volume 8 of For Everard, Anthony Malone documents his search for the identity of the youngest victim of the Everard fire. The zine is an abstracted portrait of Alamo that assembles the few extant fragments of his story culled from newspaper articles and documentary sources glued together with the artist’s imagination.
For Everard, Vol. 9 (Last Call), 2017, ed. 100 (Nr.72)
Life was difficult for Hillman Wesley Adams. He was born in Jacksonville FL in 1938. His mother died just a few months after his birth, and by the age of nine, he found himself in an orphanage with his older brother. Fast forward 30 years: Hillman moved to NYC, struggled to make ends meet while working on and off as a bartender, and he met his lover, Ralph, with whom he shared a modest apartment in New Jersey. On May 25, 1977, Hillman died in the fire at the Everard Baths. Vol. 9 of For Everard is an assemblage of newspaper articles and vintage photos chronicling the life and untimely death of Hillman Wesley Adams.
For Everard, Vol. 10 (In Memoriam: Patrick Nott), 2018, ed. 100 (Nr. 64)
Volume 10 of For Everard memorializes the life of Patrick Nott, one of the nine men who died in the fire at the Everard Baths. Nott, a native of Wales with a passion for theater, literature, and music, pursued a successful career in hairdressing. He fell in love with his pen pal (a young woman from Brooklyn) and after their marriage, they moved to New York City, where Nott worked at the Vidal Sassoon Salon. This zine weaves together elements from his story (shared with the artist by Patrick Nott’s wife), with photographs, newspaper clippings, and artifacts. It acts as a humble tribute, an “In Memoriam” for this greatly loved man.
For Everard, Vol. 11 (Thunderbird), 2019, ed. 100 (Nr. 79)
Brian Duffy was an aspiring artist. In 1966 he was accepted to Pratt Institute of Art and although he declined admission to the school, he seized the opportunity to move to NYC and start a new life for himself. In the city, he worked hard at various retail jobs and tried to break into the theater, but everything changed when he met the love of his life, Bradley. The couple moved to a “quieter life” in Boston. They worked in restaurants in the Back Bay area and created a community for themselves amongst their chosen family of friends. Volume 11 of For Everard celebrates the brief life of Brian Duffy, a young man who died in the fire at the Everard Baths in 1977. This zine compiles photographs and stories shared with Malone by Brian’s sister and dear friend.
The pseudonym "Anthony Malone" comes from a novel by Andrew Holleran (Dancer from the Dance). In this novel, Malone is the protagonist and at the end he disappears. Some of his friends believe that he may have committed suicide, others feel that he may have run away from New York, while some say that they saw him at the Everard Baths on the night of the fire. I imagine that Malone survived the fire and he is now making books and zines telling the story of the tragedy.
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13x13 cm, keine weiteren Angaben vorhanden
naivsuper Nr 013, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
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recorded at the Electronic Church in 2007.
Saxophon recorded at the Electronic Church in 2007. No overdubs, no manipulations.
When we (naivsuper) met Antoine in november 2007 to record his saxophone drones we didn´t really know what to expect because Antoine´s drones are perfect in a live situation. We weren´t sure if we could capture the richness of his sound, his working with the accoustics of a room and the strange almost discomforting breathing noises he makes when circular breathing on a CD. We basically wanted to hear him moving in the room, we wanted to see with our ears.
For the recording we chose the Electronic Church in Berlin because we have seen him perform there earlier the same year and it was absolutely fantastic.
The day of the recording was an incredible cold day in Berlin and due to the fact that the Church has no heating we could see our breath and feel the unbelievable cold humidity of a groundfloor room that hasn´t been aired in some time crawling up our pants.
It took Antoine almost an hour to warm up the saxophone and to get a satisfying tone. When he was finally ready to record the first take he was already a little bit out of breath. After 5 minutes of circular breathing his nose and lung started to freeze. We then tried a few more times but after another hour we were all coughing and sneezing and the saxophone was frozen so that we decided to postpone this session.
When we listened to the material at home we discovered that there was almost everything we wanted. We recorded how Antoine is fighting the cold and the exhaustion. There is the room, the breathing and movement. There is sound - almost an evolution of sounds - they are born slowly, grow up and then slowly disappear or extinguish.
We highly recommend you to listen with headphones. A follow up to this great document is planned, too
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[24] S., 21x14,6 cm, Auflage: 100, numeriert, signiert, keine weiteren Angaben vorhanden
Drahtheftung
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My Zoo is a postal collage collaboration by Jürgen O. Olbrich and Brandstifter.The two German ZOO directors first met in the Eternal Network, the funny mail art circus of the 90ies. Both of them juggle with collage, copy art, fluxus, found paper, visual poetry and performance.
Text aus dem Heft
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Plus c’est facile, plus c’est beau : prolégomènes à la plus belle exposition du monde
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[96] S., 19x13,4 cm, Auflage: 1.000, ISBN/ISSN 978-2-914291712
Softcover, Broschur,
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Plus c'est facile, plus c'est beau : prolégomènes à la plus belle exposition du monde se présente sous la forme de 89 courtes propositions à raison d'une par page. Chacune est construite sur le même modèle : la description technique d'une oeuvre célèbre d'art contemporain, suivie de l'affirmation de la facilité de reproduction du procédé. Par exemple : Renverser une tasse d'eau de mer sur le plancher, c'est facile. Lawrence Weiner l'a fait et tout le monde peut le refaire. En dressant un panorama neutre et objectif de dispositifs célèbres de la production artistique, Éric Watier désacralise la notion d'oeuvre d'art et met à jour les notions de reprise et de citation, particulièrement courantes dans l'art
contemporain.
"Plus c'est facile, plus c'est beau" est une phrase extraite d'une interview de Gil J Wolman menée par Michel Giroud et
publiée dans le catalogue de l'exposition Hors limites (Centre Pompidou, 1994-1995).
Text von der Webseite
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194 S., 27x22,5 cm, ISBN/ISSN 978-3-865213815
Hardcover, fadengeheftet, mit Schutzumschlag
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In 2005, as the result of his earlier project, Moksha, Fazal Sheikh began to focus on the situation of young women living in India today. His hope was that the resulting work could provoke discussion at a time when many women’s groups were fighting for social change. As in earlier projects, he made portraits of the young women he met, respecting the wish, in some cases, to remain anonymous.
Text von Website
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27,6x21,5 cm, signiert, 16 Teile. keine weiteren Angaben vorhanden
Ein Bogen mit 16 Künstlerbriefmarken, perforiert, gestempelt
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Mehrfarbig gedruckt. This ICON commemorative stamp sheet dedicated to the mail-art friends I met in New York City.
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27,6x21,5 cm, signiert, 16 Teile. keine weiteren Angaben vorhanden
Ein Bogen mit 16 Künstlerbriefmarken, perforiert, gestempelt
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Bogen mit blauer Farbe gedruckt. This ICON commemorative stamp sheet dedicated to the mail-art friends I met in New York City.
Text von Briefmarkenbogen
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AQ - Anti-Quarium 13 - Fluxus - How we met or a microdemystification
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76 S., 24,8x18,5 cm, keine weiteren Angaben vorhanden
Drahtheftung, kleinformatiger bedruckter Briefumschlag von George Brecht für Robert Filliou mit eingelegten Kärtchen (Cloud Scissors)
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Sonderausgabe zu einer Geschichte des Fluxus
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The Trip - Andy Warhol's Plastic Fantastic Cross-Country Adventure
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324 S., 24x14 cm, ISBN/ISSN 978-1-476703510
Hardcover, fadengeheftet, mit Schutzumschlag
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From the author of Strapless and Guest of Honor, a book about a little-known road trip Andy Warhol took from New York to LA in 1963, and how that journey—and the numerous artists and celebrities he encountered—profoundly influenced his life and art.
In 1963, up-and-coming artist Andy Warhol took a road trip across America. What began as a madcap, drug-fueled romp became a journey that took Warhol on a kaleidoscopic adventure from New York City, across the vast American heartland, all the way to Hollywood and back.
With locations ranging from a Texas panhandle truck stop to a Beverly Hills mansion, from the beaches of Santa Monica to a Photomat booth in Albuquerque, The Trip captures Warhol’s interactions with Dennis Hopper, Peter Fonda, Marcel Duchamp, Elizabeth Taylor, Elvis Presley, and Frank Sinatra. Along the way he also met rednecks, beach bums, underground filmmakers, artists, poets, socialites, and newly minted hippies, and they each left an indelible mark on his psyche.
In The Trip, Andy Warhol’s speeding Ford Falcon is our time machine, transporting us from the last vestiges of the sleepy Eisenhower epoch to the true beginning of the explosive, exciting ’60s. Through in-depth, original research, Deborah Davis sheds new light on one of the most enduring figures in the art world and captures a fascinating moment in 1960s America—with Warhol at its center.
Text von der Webseite
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